Steingraeber 122T
The upright 122 T features an extraordinarily full sound due to its additional, sympathetically vibrating soundboard that delivers an extra boost for attacks at a forte dynamic level and above.
The upright 122 T features an extraordinarily full sound due to its additional, sympathetically vibrating soundboard that delivers an extra boost for attacks at a forte dynamic level and above.
The upright 122 T features an extraordinarily full sound due to its additional, sympathetically vibrating soundboard that delivers an extra boost for attacks at a forte dynamic level and above.
Special features
Additional, sympathetically vibrating soundboard
Two alternative mechanisms: Classic or SFM® for a repetition comparable to grand pianos
Quality mineral key tops and solid ebony sharps for a perfect touch control
The OPERA version was developed by conductors of the Bayreuth Festival for the stage rehearsals (insbes. Prof. Christoph Ulrich Meier).
- Built-in music stand LED lamp
- Bigger music rack to hold even very thick scores
- Direct sound contact : perforated acoustic panel
- Quality easy rolling wheels, built into the case
Simon Vincent: pianist, composer and performer.
Recorded in Steingraeber Haus Bayreuth, 2019.
More information on Steingraeber’s website
References
Bayreuth, Festspielhaus (Modell OPERA, Bühnenklavier)
Berlin, Philharmonie (Modell OPERA für den Theaterraum)
Bremen, Hochschule für Künste
Eichstätt Ingolstadt, Katholische Universität
Frankfurt/Main, Church of Christ the King
Hammelburg, Bayerische Musikakademie
Leipzig, Gewandhaus ( Chorsaal , Modell OPERA )
Luzern , Musikhochschule
Mailand, Teatro alla Scala
Malmö, Opera House (2x Modell OPERA)
Paris, Conservatoire N.S.M.D.P.
Regensburg, Hochschule f. kath. Kirchenmusik
Rheinsberg, Kammeroper (Schloss Rheinsberg)
Schlitz, Landesmusikakademie Hessen (Schloss Hallenburg)
Schwerin, Mecklenburgisches Staatstheater
Trossingen, Musikhochschule
Weimar, Schloss Belvedere
David Gray, Singer / Songwriter
More information on Steingraeber’s website
